Judith Lowry was born on July 27, 1890 in Fort Sill, Oklahoma, USA as Judith Ives. She was an actress, known for The Effect of Gamma Rays on Man-in-the-Moon Marigolds (1972), The Trouble with Angels (1966) and Phyllis (1975). She was married to Rudd Lowry. She died on November 29, 1976 in New York City, New York, USA.
Small, frail, white-haired character actress on the Broadway stage from 1916 who retired early to raise nine children. Returning to acting a couple of decades later and eventually came into her own in the 60s and 70s as playful elderlies on stage, screen and TV.
Capped her rather erratic career in 1975 playing “Mother Dexter” on the sitcom Phyllis (1975) starring Cloris Leachman. The endearing Judith began in a recurring part but was so well liked that she was made permanent by the end of the first season. On December of 1976, her 86-year-old character “married” her 92-year-old boyfriend Arthur on the show (played by Burt Mustin). Ironically, both she and Mustin died shortly after filming the episode – within two months of each other.
She had English, as well as some Scots-Irish (Northern Irish), Welsh, and Dutch, ancestry.
Roberta Haynes was born on August 19, 1929 in Wichita Falls, Texas, USA as Roberta Arline Schack. She is known for her work on Point Blank (1967), Gun Fury (1953) and Return to Paradise (1953).
The daughter of Vogue’s editor-in-chief for 40 years, Edna Woolman Chase, Ilka was named after a Hungarian friend of her mother’s. She went to school in France and later acted in stock with Rube Miller in New York. Her first appearance on Broadway was as a maid in ‘The Red Falcon’ in 1924. After co-starring in her next play, the mystery ‘Shall we Join the Ladies?’ (with Leslie Howard, 1925), she established a reputation as an intelligent leading lady of the stage. She went on to have further successes in prestigious plays by Philip Barry (‘The Animal Kingdom’,1932,as Grace Macomber), Thomas Mitchell (‘Forsaking all Others’,1933,with Tallulah Bankhead), Eugene O’Neill(‘Days Without End’,1934,as Lucy Hillman) and Clare Boothe Luce (‘The Women’,1936,as Sylvia Fowler). In 1944, she starred in her adaptation of her novel ‘In Bed we Cry’, playing an actress somewhat inspired by, or modelled upon, her own experiences and personality.
Ilka was known as much for her acting ability, as for her acidulous wit and sometimes scathing criticism, levelled at her contemporaries in general and her peers in particular. A member of the social elite herself, she used her insight in her best-selling autobiography, ‘Past Imperfect’, written in 1942. The book brought her nationwide fame, taking gratuitous pot-shots at writers, actors and socialites alike. It eventually led to her hosting a radio program, ‘Luncheon at the Waldorf’.
Although she appeared in several motion pictures, few came close to showcasing her caustic personality. The exception was, perhaps, The Big Knife (1955), in which she portrayed a Hedda Hopper-like newspaper columnist. An earlier role of note included Now, Voyager (1942) 1942. Bosley Crowther thought her ‘cool’ in Ocean’s 11 (1960).
Ilka Chase was actively involved in a number of charities and was a staunch advocate of wildlife preservation and protection.
Philippa Bevans was born on February 10, 1913 in London, England. She was an actress, known for The World of Henry Orient (1964), The Notorious Landlady (1962) and The Group (1966). She died on May 10, 1968 in New York City, New York, USA.
LOS ANGELES, Oct. 7 (AP) — Frances Bergen, a model and actress who married the ventriloquist Edgar Bergen and was the mother of the actress Candice Bergen, died here on Monday. She was 84. Her death followed a prolonged illness, said Heidi Schaeffer, a publicist for Candice Bergen, said Tuesday. She declined to specify the illness.
Born Frances Westerman in Birmingham, Ala., she moved to Los Angeles with her mother after her father died of tuberculosis. When she was 19, she attended a recording of “The Edgar Bergen/Charlie McCarthy Show” and caught the attention of the star, then 39, who with his impish, top-hatted dummy Charlie, was host of radio’s highest-rated programs at the time. The two married after more than a year of courtship. She later started a successful modeling career and became the face of the Chesterfield Girl and Ipana Girl in advertisements. The birth of her first child, Candice, was headline news in 1946.
The Bergens had a son, Kris, born in 1962, who also survives, along with a granddaughter, Chloe Malle, Candice Bergen’s daughter with the filmmaker Louis Malle. Edgar Bergen died in 1978 at 75. Like her husband, Frances Bergen appeared in several movies, playing small roles in the 1953 rendition of “Titanic,” “American Gigolo” and “The Muppets Take Manhattan.” She also appeared on “Murphy Brown,” her daughter’s hit sitcom.
Adele Marie Astaire, the pixieish dancer who captivated audiences in New York and London in many musical comedies of the 1920’s with her brother and dance partner, Fred, died yesterday in Phoenix at the age of 83. Members of the family said she had suffered a stroke on Jan. 6 and never recovered consciousness.
Miss Astaire had been beset by illness in recent years, according to, Kingman Douglass Jr. of Chicago, her stepson. ”But she had enormous recuperative powers,” he said, ”and soon would be up and in Marine-type English telling what she thought of the world.”
Miss Astaire had lived in Phoenix since her second husband, Kingman Douglass, died in 1971. She had spent summers until two years ago in Ireland, at the castle she shared with her first husband, the late Lord Charles Cavendish. Appeared in ‘Funny Face’ The diminutive, dark-haired comedian starred in 11 musicals with her brother, who is two years her junior. Among the more memorable were ”Funny Face,” ”Lady, Be Good,” ”The Band Wagon,” ”For Goodness’ Sake” – retitled ”Stop Flirting” in London – and ”Apple Blossoms.”
Miss Astaire left show business in 1932 to become the wife of Lord Cavendish, the second son of the ninth Duke of Devonshire. Their romance was something of an international sensation, as she kept putting off accepting Lord Charles’s proposal until she had one final hit show. At the time of their engagement she was performing in Florenz Ziegfeld’s ”Smiles,” which received less than happy reviews when it opened in 1930. Although ”Smiles” was a dud, reviewers, such as Brooks Atkinson of The New York Times, singled out the Astaires for praise:
”Strictly speaking, the Astaires are dancers. But they have more than one string to their fiddle. With them, dancing is comedy of manners, very much in the current mode. Free of show-shop trickery, they plunge with spirit into the midst of the frolic. Once to the tune of ‘If I Were You, Love,’ with a squealing German band accompaniment, they give dancing all the mocking grace of improvisation with droll dance inflections and with comic changes of pace. Adele Astaire is also an impish comedian; she can give sad lines a gleam of infectious good-nature. Slender, agile and quickwitted, the Astaires are ideal for the American song-and-dance stage.” Left Stage and Her Brother
After ”The Band Wagon,” at the pinnacle of her career, she left the stage and her brother for Lismore Castle in County Waterford, Ireland, from which producers tried repeatedly to lure her. Mr. Astaire went on to greater fame on the screen with Ginger Rogers.
Fred said of his sister on her retirement, ”She was a great artist and inimitable, and the grandest sister anybody could have.” He had followed her into dancing. When he was 4 and she was 6, their parents sent him to her dance classes so he could keep her company, but he got interested.
The marriage of Lord and Lady Charles, though happy, was marked by tragedy. A daughter was born in 1933, and died the same day. Two years later, twin sons, who were born prematurely, died within hours of their births. She was to have no more children. Some time later, Lord Charles fell ill from a liver ailment that made him an invalid.
During World War II, at the urging of her husband, Miss Astaire worked at a famous Red Cross canteen in London, the Rainbow Corner, helping out at the information desk, dancing with G.I.’s and shopping and writing letters for them. To the letters she signed herself, ”Adele Astaire (Fred’s sister).” Married for Second Time
On March 23, 1944, Lord Charles died. Three years later, on April 28, 1947, Miss Astaire was married to Mr. Douglass, whom she had met at the Rainbow Corner. It was his second marriage. In 1950, he became assistant director of the Central Intelligence Agency, a post he held for two years before resuming his career in finance. He became a partner in Dillon Read & Company, retiring before his death in New York in 1971.
Adele Marie Austerlitz was born in Omaha, Neb., on Sept. 10, 1898, to Fredrick Austerlitz, a brewer from Vienna, and the former Ann Geilus, a native of Omaha. In 1904, the family moved to New York, where Adele and Fred, the only children, were enrolled in the Alviene School of Dance. Until then, they had been tutored by their mother.
The Astaires appeared in their first vaudeville show in New York in 1912, and had their first triumph on Broadway in 1917, with ”Over the Top” at the Winter Garden.
Besides her brother and stepson, Miss Astaire is survived by two other stepsons, Howard James Douglass of Chicago and William Angus Douglass of London.
Private services will be held in Phoenix and Beverly Hills, Calif.
Jaclyn Smith was born Jaclyn Ellen Smith on October 26, 1945 in Houston, Texas. She graduated from high school and originally aspired to be a famous ballerina. In 1973, she landed a job as a Breck shampoo model. In 1976, she was offered a chance to star in a new pilot for a planned television series, entitled Charlie’s Angels (1976). The pilot was slick and the show was an instant hit when it debuted on September 22, 1976 on ABC. Smith has the distinct honor of being the only Angel *not* to leave the show in its entire five-season run (1976-1981). After Charlie’s Angels (1976), she went the TV-movie route and starred in such TV films as Jacqueline Bouvier Kennedy (1981) for which she received a Golden Globe nomination, and such miniseries as The Bourne Identity (1988), Rage of Angels (1983) and Windmills of the Gods (1988). She has had her own extremely successful clothing line at KMart since 1985, and is often a spokesperson. Her first two marriages to actors Roger Davis and Dennis Cole ended in divorce. She has two children from her third marriage to cinematographer Anthony B. Richmond (they divorced in 1989). Her fourth marriage is to her father’s physician Dr. Brad Allen. She married him in 1997 and they both created a skincare line.
Cecil Kellaway (August 22, 1893 February 28, 1973), was born in Cape Town, South Africa, and was an Academy Award-nominated character actor active in Hollywood from the late 1930’s through the late 1960’s. Kellaway spent his early years as an actor, writer and director in Australia. He was discouraged during his initial trip to the US because he was getting only small gangster parts. He returned to Australia until William Wyler contacted him with a part in Wuthering Heights(1939). After that Kellaway remained in demand. Kellaway died in 1973, in Hollywood at age 79. He had received two Best Supporting Actor nominations in his career, for The Luck of the Irish and Guess Who’s Coming to Dinner. Other notable roles included that of Nick in The Postman Always Rings Twice (1946).
Ever-smiling, world-class tap artist who danced her way through a dozen successful MGM musicals in the late 1930s and early 40s before retiring from the screen–save for a guest role in “The Duchess of Idaho” (1950). Typically cast as the determined hopeful whose talent and determination get her to the top, Powell was not a major actress, but she did display exuberance and a certain tongue-in-cheek charm, and her aggressive, androgynous dancing style made her as familiar a sight in top hat and tails as Fred Astaire.Powell’s best films include “Broadway Melody of 1936” (1935), which made her a star, its two sequels from 1938 and 1940 (the latter featuring her legendary “Begin the Beguine” duet with Astaire), and “Born to Dance” (1936). Generally a solo dancer, the acrobatic Powell did have George Murphy on hand in several films as a partner; she also teamed with comedian Red Skelton for three films, the best of which is “Ship Ahoy” (1942). Married to actor Glenn Ford from 1943 to 1959, Powell hosted an acclaimed religious program in the 1950s and later performed occasionally onstage and in nightclubs.
